Media & press
Journalists, webzines, cultural media, music blogs and local or specialist press. The project's news should offer an angle appropriate for the reader.

Discover how Beathoven qualifies music outlets — media, radio stations, curators, playlists, labels and professionals — without mass mail-outs or empty promises.
A raw contact list doesn't create a campaign. Beathoven differentiates useful outlets, official channels and approaches that fit the project.
The network's value lies in its qualification: style, territory, newsworthiness and objective. The number of available contacts is not a guaranteed volume of sends.
Media outlets, radio, curators, labels, managers, bookers, publishers and partners don't have the same expectations. A pitch for a journalist isn't put together like a programming request.
Local or national outlets and major organisations: size doesn't replace the fit between project and recipient.
The release dossier, outlet types, territories and available channels help build a more coherent approach.
Gather EPK, music, visuals, pitch, news and objectives.
Understand style, territory, maturity and presentation angle.
Examine the editorial line, the source and the official channel.
Review the dossier, targets and messages before taking action.
Separate preparation, action taken, known status and possible outcome.
Journalists, webzines, cultural media, music blogs and local or specialist press. The project's news should offer an angle appropriate for the reader.
Local, community, campus, niche shows, national and territory-based networks. Musical format, language, timing and submission procedures guide targeting.
Independent playlists, submission platforms and discovery channels. Selection depends on the track's universe and the channel's specific criteria.
Labels, managers, bookers, publishers, music supervisors and partners: the project's stage, the catalogue, resources and the purpose of contact all matter.
These categories explain targeting possibilities. They do not constitute a promise of contact or affiliation with every outlet.
The engine helps you prepare a clearer, less intrusive approach. It does not replace the editorial judgement of media outlets or professionals.
A cultural outlet may be interested in the story and visuals; a music programme in the track and its influences; a curator in the sonic universe. The pitch changes depending on the contact.
This reasoning is illustrative: it does not describe a real campaign or an actual outcome.
Links, visuals, pitch, biography, release and objectives provide the necessary context to prepare a relevant presentation.
A neat, mobile and shareable presentation, built by you in the app.
The press kit remains central to release work and the outreach activities included in your subscription.
A human approach to angle, storytelling, hierarchy and visual coherence, priced on quotation.
These resources let you explore existing networks and approaches. They are not announced partners or guaranteed recipients of a campaign.
It helps prepare the press kit, refine targeting, validate the plan and track actions in one place. The service does not turn a raw list into a promise of media coverage.
Yes, when the project, the press kit, the territory and the timing justify this approach. The prestige of an organisation alone doesn't make the outreach appropriate and doesn't guarantee a response.
No, not on this public page. Examples explain the types; contact emails, private lists and sensitive data are not published here.
No. A submission sent, a response received, an article and airplay are distinct events. Beathoven guarantees neither an article, playlist placement, airplay, signing nor a positive response.